Italian Mannerist Painter, 1494-ca.1556 Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter.   Related Paintings of Pontormo :. | Portrait of a Lady in Red | Gravlaggningen | Joseph | Flood | Deposition |
Related Artists:
Edgar Payne
American Painter, ca.1882-1947 was an American Impressionist painter best remembered for his impressionist landscapes. Born in Chicago, Illinois, his art education included training at the Art Institute of Chicago (where he enrolled at Saturday classes at the age of 11), the Art Students League of New York, and in the atelier of William Merritt Chase. He spent much of his early career working in Paris, France. He served in the US Army as an aerial photographer during World War I. [1]In 1920 he and his wife relocated to Pasadena, California. He taught fine art at Occidental College, and was director of the Stickney Memorial School of Art in Pasadena.
CORNELIUS, Peter
1824-1874,German composer. Trained as actor and violinist, and friend of artists, poets and writers, he devoted himself to music from the 1840s, finding inspiration in Liszt and the New German School at Weimar in 1852. His first mature works were the lieder opp. 1 and 2 and the song cycle Trauer und Trost op.3, followed by the comic opera Der Barbier von Bagdad (1855-8); all show his literary skill, refreshing simplicity and musical independence from the Liszt circle. In Vienna (1859-65), he wrote his second opera Der Cid and enjoyed fruitful relationships with Brahms, Carl Tausig and above all Wagner, who summoned him to Munich in 1865 as his private repetiteur and teacher at the Royal School of Music. His third opera Gunlöd was never finished. He continued to write poetry and essays defending Wagner and Liszt and translated vocal works by Pergolesi, Berlioz, Liszt and others. Although he revered Wagner, he stood ethically and artistically apart, his work (especially Der Barbier) thus representing an original achievement.
Francis Oliver Finch
British watercolour painter, 1802-1862